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Free Preparatory Exercises for the Squire Tarantella!

9/17/2022

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Free Preparatory Exercises for the Squire Tarantella
Exciting New Release for Cello! 
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​The Squire Tarantella for Cello Practice Edition has Preparatory Exercises for each difficult part of the piece. Then, the book continues with study notes: the entire Tarantella with positions, extensions, rhythm, and more marked for you! A performance edition of the piece comes next, then a cello duet that was written specifically for the Tarantella, and the piano accompaniment, and finally Cello Curriculum pages that show you where the Tarantella could fit in a traditional course of study. ​
Here is an overview of what's in the book:
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Sample pages from the book:
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Learn More About the Book

To Celebrate the Release of the New Tarantella Book

Cassia has written a set of all-new Free Preparatory Exercises that are not included in the book!
You can use these extra exercises to work on agility and shifting before you start work on the Tarantella and help to make your study easier. 

Squire Tarantella - Exercise 1

Free Squire Tarantella Preparatory Exercise No. 1

Squire Tarantella - Exercise 2

Free Squire Tarantella Preparatory Exercise No. 2

Squire Tarantella - Exercise 3

Free Squire Tarantella Preparatory Exercise No. 3

Squire Tarantella - Exercise 4

Free Squire Tarantella Preparatory Exercise No. 4

Squire Tarantella - Exercise 5

Free Squire Tarantella Preparatory Exercise No. 5

Squire Tarantella - Exercise 6

Free Squire Tarantella Preparatory Exercise No. 6

Squire Tarantella - Exercise 7

Free Squire Tarantella Preparatory Exercise No. 7

Squire Tarantella - Exercise 8

Free Squire Tarantella Preparatory Exercise No. 8

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Learning Three-Octave Arpeggios - Free Preparatory Studies!

11/1/2019

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Figuring Out How to Teach Cello Arpeggios

As long as I have been studying or teaching cello, learning arpeggios consisted of seeing an arpeggio and trying to play it. This was fine; even workable, but as I came to discover, not the best way to learn or teach cello arpeggios that would be consistently in tune.
Three-Octave Arpeggios on the Cello: Preparatory Studies
Some students struggled mightily with the larger spaces. Other students didn't understand the concepts behind the fingerings. All in all, even the most talented and advanced students only played a perfect arpeggio about 1/3 of the time, which wasn't great for auditions!
I became acutely aware of the lack of an actual cello method for teaching arpeggios when Theresa Villani (a wonderful cellist and teacher) reached out to ask if I had one. Since I had no idea where to start, I did quite a bit of brain-storming... and wrote a scale method instead!
Learning Three-Octave Scales on the Cello
After Learning Three-Octave Scales on the Cello was published at the end of August 2019, I still didn't quite know which arpeggio fingerings to pick for the book but at least I had a blueprint for how to teach notes and spaces.
I finally settled on three distinct fingerings for Learning Three-Octave Arpeggios on the Cello. The first fingering, used in the Galamian Scale System for Cello (among other books) is a little like a staircase; you go up the C string, then over to the G, then up the G, then over to the D, then up the D, then over to the A. 
​
Learning Three-Octave Arpeggios on the Cello
The second fingering is very straightforward: you go across to the A string and shift up the A string.
Learning Three-Octave Arpeggios on the Cello
The third fingering, used in Klengel Technical Studies for Cello, Volume One, shifts up to the thumb on the D string and then has you play the top octave of the arpeggio in thumb position. ​
Learning Three-Octave Arpeggios on the Cello
Each of these three fingerings has something to teach cellists. A study of all three fingerings will give you a comprehensive knowledge of fingerboard geography and larger shifts on the cello. 
Learning Three-Octave Arpeggios on the Cello

Free Cello Arpeggio Preparatory Studies!

To celebrate the release of this new book, we are offering free preparatory studies for Three Octave Arpeggios on the Cello. Click on each picture to see the image enlarged. If you would like the file as a free PDF, fill out the form below and your download will be on the next page.

Cello Arpeggios
Shifting Study

Three-Octave Arpeggios on the Cello: Preparatory Studies

Cello Arpeggios
Fifth Position Study

Three-Octave Arpeggios on the Cello: Preparatory Studies

Cello Arpeggios
Spacing Across Strings

Three-Octave Arpeggios on the Cello: Preparatory StudiesPicture

Fingering No. 1
Putting the Arpeggio Together

Three-Octave Arpeggios on the Cello: Preparatory Studies

Cello Arpeggios
Note Spaces
​for Fingering No. 2

Three-Octave Arpeggios on the Cello: Preparatory Studies

Cello Arpeggios
Playing Across Strings
​for Fingering No. 2

Three-Octave Arpeggios on the Cello: Preparatory Studies

Cello Arpeggios
Putting the Notes Together for Fingering No. 2

Three-Octave Arpeggios on the Cello: Preparatory Studies

Cello Arpeggios
Shifting to the Thumb for Fingering No. 3

Three-Octave Arpeggios on the Cello: Preparatory Studies

Cello Arpeggios
Learning More Thumb Position Notes for Fingering No. 3

Three-Octave Arpeggios on the Cello: Preparatory Studies
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Learn Cello Scale Spaces - Free Sheet Music!

9/2/2019

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One of the best ways to map the fingerboard for your mind and fingers is by learning scales. Three-octave scales, in particular, can be used to teach nearly all of the notes on the cello.
Learn Cello Scale Spaces - Free Sheet Music!
As I watched over the years while some of my students struggled with knowing how far to shift in three-octave scales, I knew that there had to be a solution. 

Surprisingly, the answer came while I was writing a scale book for the violin! 

Because violinists typically play with four fingers in each position (1-2-3-4), instead of three (1-2-4 or 1-3-4), I was able to write exercises that used notes they already knew to teach notes in the next position. 
When I saw how well the exercises worked, I just knew that I had to find a way to use that same concept to teach cello scales.

​I started writing studies for a three-octave G major cello scale and tried them with several students who had never played a three-octave scale before.
I wasn't surprised when they figured out the exercises; it was a pretty easy concept. But I was absolutely shocked when, at the end of playing the 4 pages of G scale exercises, those same students were able to play the scale straight through, without stopping, and in tune!
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New Release!
Before this, I had wheedled and cajoled and talked my students through their initial 3-octave scales. And, after they finally learned the scales, some of them played scales in tune but some just didn't.

​This book was a game-changer for me and my students, cutting out months and years of frustration, and helping them master entire three-octave scales in all of the major and minor keys.
Cello whole step
Cello whole step
Cello half step
If we take time to think about the steps in scales and teach them to our fingers, it is possible to truly learn scales, play more in tune, and play in tune more consistently.
Cello D Major Scale
To celebrate the release of Learning Three-Octave Scales on the Cello, this post gives you the major scales written out with all of the whole and half steps so you can think about and remember each space. 

And if this whets your appetite for scale mastery, check out the new cello scale book!

​​Tips for Playing Cello Three-Octave Scale Steps

  • Play these exercises slowly. 
  • Think about each space as you play it.
  • As your mind sees the words "half step" or "whole step", try to remember how that space feels in your fingers.
  • Roman numerals refer to strings, not positions.
       I = A string
       II = D string
       III = G string
​       IV = C string
  • If you have trouble playing scales in tune, or just want to improve your scale intonation, study the scale exercises in Learning Three-Octave Scales on the Cello.

C Major
​Cello Scale Spaces

Three-Octave Cello Scale Spaces

D-flat Major
Cello Scale Spaces

Three-Octave Cello Scale Spaces

D Major
​Cello Scale Spaces

Three-Octave Cello Scale Spaces

E-flat Major
​Cello Scale Spaces

Three-Octave Cello Scale Spaces

E Major
​Cello Scale Spaces

Three-Octave Cello Scale Spaces

F Major
​Cello Scale Spaces

Three-Octave Cello Scale Spaces

F-sharp Major
​Cello Scale Spaces

Three-Octave Cello Scale Spaces

G Major
​Cello Scale Spaces

Three-Octave Cello Scale Spaces

A-flat Major
​Cello Scale Spaces

Three-Octave Cello Scale Spaces

A Major
​Cello Scale Spaces

Three-Octave Cello Scale Spaces

B-flat Major
​Cello Scale Spaces

Three-Octave Cello Scale Spaces

B Major
​Cello Scale Spaces

Three-Octave Cello Scale Spaces

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Cello Positions: Free Cello Note Charts and Shifting Exercises

2/28/2019

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Starting to play in positions on the cello can be daunting!

However, after you have played in first position for awhile, the other notes on the cello are begging to be learned! So many great cello repertoire pieces use positions and learning shifting can help you reach more notes, make playing across strings easier, and even avoid open strings if you want to. 

1. Learn Cello Fourth Position 

This method was written for adult learners and includes pictures and diagrams that help explain where fourth position is. Exercises and short pieces on each page work together to teach a skill. This book is available as a PDF ebook on www.learnstrings.com and as a print book on www.amazon.com.
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2. Learn Cello Positions in Depth

A great way to learn cello positions is by studying each position. Here are a few position method books: 

Are your shifting books too hard?

​Try the Preparatory Study Books

​
(great for fearful shifters)​

These books have very easy studies that can make shifting an easier, more gradual process. Each study focuses on a single shift and the exercises progress slowly to allow you to get comfortable with shifting. 

3. Free Preparatory Exercises for Pattern Shifting and Serial Shifting for the Cello

Half and Whole Steps

Free Cello Note Chart: Half and Whole Steps

Free Note Chart:
​Cello Positions
​on the A String

Free Note Chart: ​Cello Positions ​on the A String

Free Cello Position Exercises
​on the
​A String

Free Cello Position Exercises ​on the ​A String

Free Note Chart: 
​Cello Positions
​on the D String

Free Note Chart:  ​Cello Positions ​on the D String

Free Cello Position Exercises
​on the
​D String

Free Cello Position Exercises ​on the ​D String

Free Note Chart: 
​Cello Positions
​on the G String

Free Note Chart:  ​Cello Positions ​on the G String

Free Cello Position Exercises
​on the
​G String

Free Cello Position Exercises ​on the ​A String

Free Note Chart: 
​Cello Positions
​on the C String

Free Note Chart:  ​Cello Positions ​on the C String

Free Cello Position Exercises
​on the
​C String

Free Cello Position Exercises ​on the ​C String

Free Cello Position Exercise
for Muscle Memory

Free Cello Position Exercise for Muscle Memory

Free Cello Position Exercise
for Muscle Memory

Free Cello Position Exercise for Muscle Memory

Free Cello Position Exercise: Cello Positions Across Strings

Free Cello Position Exercise: Cello Positions Across Strings


4. Study the Position Exercise Books

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Ever-so-slightly easier than Serial Shifting, Pattern Shifting for Cello has exercises in rows and patterns. The exercises progress more slowly than those in Serial Shifting and this book could be studied along with other position methods. 

The first half of the book has studies in 1st through 4th positions while the second half of the book has studies in 1st through 8th positions.

All of the exercises are in C major to allow you to fully learn the basic cello positions and spacing.  

Pattern Shifting for the Cello is available as a PDF ebook on www.learnstrings.com.
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A little bit more difficult than Pattern Shifting, Serial Shifting for the Cello has similar exercises in rows and patterns. The exercises progress more quickly than those in Pattern Shifting and having a prior knowledge of positions is advised.

The first half of the book has studies in 1st through 4th positions while the second half of the book has studies in 1st through 8th positions.

All of the exercises are in C major to allow you to fully learn the basic cello positions and spacing.  

Serial Shifting for the Cello is available as a print book here on www.charveypublications.com and on Amazon.com and Sheet Music Plus.

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Prepare to play the Saint-Saens Cello Concerto in A minor!

2/20/2019

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Preparing for Saint-Saens

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The Saint-Saëns Cello Concerto No. 1 in A minor is a work for cello and orchestra (or piano), written at an advanced level. Studying this Concerto often takes a year or more; it's a major work!
While there are no clearly marked or numbered movements, the Concerto does have three fairly distinct sections that might correlate with our idea of typical concerto movements. 
Some techniques used in the first two movements are octave shifts, fast shifting (sometimes called "runs") into the high positions, double stop fifths and sixths, spiccato, and thumb position. 

Free Saint-Saens Preparatory Exercises

These free preparatory exercises can help you get ready to start studying the Saint-Saëns Cello Concerto. They work on some of the basic techniques needed to play the first few pages of the Concerto: bowing, octave shifts, chromatic scales, and more. 

Free Preparatory Cello Exercise: Bowing I

Saint-Saens Cello Concerto Preparatory Study

Free Preparatory Cello Exercise: Bowing II

Saint-Saens Cello Concerto Preparatory Study

Free Preparatory Cello Exercise: Scale Shifting Exercise

Saint-Saens Cello Concerto Preparatory Study

Free Preparatory Cello Exercise: Rhythm & Staccato

Saint-Saens Cello Concerto Preparatory Study
Note: These free e​xercises are not a substitute for a full study of the Concerto like the one in The Saint-Saens Cello Concerto No. 1 Study Book. Instead, they help prepare you for the study book and show exercises can make learning more efficient. 
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Free Preparatory Cello Exercise: Rhythm I

Saint-Saens Cello Concerto Preparatory Study

Free Preparatory Cello Exercise: Rhythm II

Saint-Saens Cello Concerto Preparatory Study

Free Preparatory Cello Exercise: Octave Shifts I

Saint-Saens Cello Concerto Preparatory Study

Free Preparatory Cello Exercise: Octave Shifts II

Saint-Saens Cello Concerto Preparatory Study

Free Preparatory Cello Exercise: Chromatic Scale

Saint-Saens Cello Concerto Preparatory Study

Free Preparatory Cello Exercise: Shifting and Bowing Study

Saint-Saens Cello Concerto Preparatory Study

Books to study in preparation

The Saint-Saëns Cello Concerto is much easier to learn if you have acquired a solid grasp intermediate and advanced cello technique. You should be able to read bass,  tenor, and treble clef and play in thumb position. You should have learned three-octave scales and it would be helpful if you have also studied octave shifts, double stop sixths, and double stop octaves. 
Tenor Clef for the Cello
Octave Shifts for the Cello, Book One
Three-Octave Scales for the Cello, Book One: The Basics
Sixths for the Cello, Book One
Thumb Position School for Cello
Octaves for the Cello, Book One

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Like these exercises? Now, you can learn the rest of the Saint-Saens Cello Concerto using a Study Book!

We are very excited to present this new release:
The Saint-Saëns Cello Concerto No. 1 Study Book for Cello, Volume One!
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Live outside the US? All of our books are on Amazon around the world and many of our books are available as PDF downloads on Learnstrings: 
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Mastering a Romberg Cello Sonata -Free Preparatory Exercises!

12/11/2018

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I fell in love with the Romberg Cello Sonatas when I started using them regularly as teaching pieces. It took me awhile to fully the understand the breadth of cello technique that Romberg teaches in his Sonatas but when I did, I was entranced. 

From shifting and positions to rhythm patterns and bowing challenges, the Sonatas gave my students a music experience that prepared them for much of what is to come in cello study.

Students would finish studying a Romberg Sonata and be playing at an entire level or two above their original level when they started the Sonata. They would be much more competent than when they had started, easily playing exercises, etudes, and pieces that would have given them pause before Romberg. 

Other teaching pieces didn't give cellists that same skills that Romberg's Sonatas did. As I saw the effect that playing Romberg's music had on my students, I came to deeply respect this music that so wonderfully transformed my students.​
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Two of Romberg's Sonatas became my favorites: the Sonata in E Minor and the Sonata in C Major. I use the Sonata in E minor as the first Sonata after a student has started shifting and has learned fourth position (plus a little second and third positions). I might use one or two other pieces after that, depending on the student, and then we are ready to start the Sonata in C Major. 

Over the past 20+ years, I've taught a lot of Romberg to students. It's gotten to the point where I can predict mistakes before they make them. It was getting boring hearing the same mistakes over and over. I really wanted to expand the influence of Romberg on my students and teach all of the skills that he required in his Sonatas.

So I wrote The Romberg Sonata in C Major Study Book for Cello and now, teaching that Sonata is much more exciting! Where I used to sit and drone corrections over and over, I can now have my students play the exercises and improve in front of me. We can spend the lessons working on phrasing and expression instead of rhythm, shifting, and bowing.

I love hearing them play the Sonata excerpts after they've played the exercises. Where students used to stop or struggle, my exercise-powered students sail through. They play confidently and they enjoy the music they're making instead of wallowing in frustration. 

Here are some pages of free cello exercises; Preparatory Studies that have a few bits of technique that you will use in the Romberg Sonata in C Major:​

Free Romberg Cello Prep
Shifting and Positions

Romberg Cello Sonata Preparatory Studies by Cassia Harvey page 1

Free Romberg Cello Prep
Cello Bowing

Romberg Cello Sonata Preparatory Studies by Cassia Harvey page 2

Free Romberg Cello Prep
Faster Fingers

Romberg Cello Sonata Preparatory Studies by Cassia Harvey page 3

Free Romberg Cello Prep
String Crossing

Romberg Cello Sonata Preparatory Studies by Cassia Harvey page 4

Free Romberg Cello Prep
Little Scales and Arpeggios

Romberg Cello Sonata Preparatory Studies by Cassia Harvey page 5
And when you've tried those studies, move on to the much more comprehensive Romberg Study Book available in print here and as a download here.

Why play an entire book devoted to a Romberg Sonata? Because teaching students to be both solid and creative musicians is fun! Because playing well brings joy. And because mastering this wonderful Sonata might be the most satisfying thing you've done all year!
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Free Cello Technique Lesson: Lee Etude No. 2, Op. 31

3/5/2018

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Etudes bridge the gap between exercises and pieces.

Etudes can be more melodic than pure technical exercises and this helps you get closer to what you’d actually play in a piece. 
​
Etudes can also be called "Studies" and they are important for helping you practice technical exercises in the context of something a little more like music. Some Etudes are even performed in concerts!
​
Today, let's focus on Etude No. 2 "Exercise on the Legato" from 40 Melodic and Progressive Etudes, Op. 31, by the cellist Sebastian Lee. Legato refers to notes that are smooth and connected. Lee helps teach legato by using slurs of eight notes at a time.

Etude No. 2: Exercise on the Legato

Here's a sneak peek of Lee's Etude No. 2, Op. 31. The exercises that follow will help you learn and master this etude. The entire etude is after the exercises (See Step Seven.)
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Step One: Learn the Positions that Lee Uses

You can get to know the notes Lee used in this etude by playing the short exercises below. For more work, or to learn 2nd, 3rd, and 4th positions from the beginning, see the “Recommended Position Methods” below. Cello shifting isn't hard! It's just a matter of learning where to put your hand and remembering how to get there. 

Free Lee Cello Etude Studies
Cello Positions Used

Cello Shifting Exercise for Lee Etude No. 2

Free Lee Cello Etude Studies
Positions Across Strings

Cello Shifting Exercise for Lee Etude No. 2

Free Lee Cello Etude Studies
Learning More Positions

Cello Shifting Exercise for Lee Etude No. 2

Step Two: Work on the shifts one at a time

By playing the shifts in a variety of ways, including changing slur patterns and rhythms, and using shorter sections of the measure, you can learn the shift more thoroughly. 

Free Lee Cello Etude Studies
Cello Shifting Technique

Cello Shifting Exercise for Lee Etude No. 2

Free Lee Cello Etude Studies
More Cello Shifting

Cello Shifting Exercise for Lee Etude No. 2

Step Three: Work on the bowing

Cello shifting is only part of learning this etude. Next, start to work on the slurs by playing Measures 1-16 with only 4 notes to a bow. Then, use staccato (stopping the bow sharply on the string for each note) to help you divide the bow up into 8 even sections. This helps you fit all 8 notes in a bow that Lee has you learning. Staccato is a great way to learn to play long slurs.

Free Lee Cello Etude Studies
Cello Bowing Technique

Cello Shifting Exercise for Lee Etude No. 2

Step Four: More Shifting Practice

These shifts have you going back and forth from fourth position to harmonic A on the A string. While this is awkward, make sure you use 3rd finger, as it is generally agreed that this is the easiest finger to use when going back and forth from harmonic A. Watch out for the rhythm in the last measure of each exercise below; make sure you play the quarter note so that it is twice as long as the eighth notes!

Free Lee Cello Etude Studies
Cello Shifting

Cello Shifting Exercise for Lee Etude No. 2

Step Five: The Challenging Part!

These exercises help you learn the most complicated part of the etude. Start in fourth position on the D string, play the easy pattern (1414), and then practice shifting back and forth one half step before continuing with the pattern in each new position. 

Free Lee Cello Etude Studies
Cello Positions

Cello Shifting Exercise for Lee Etude No. 2
In measures 25-32, Lee has you start in fourth position, play a pattern across strings, move back one half step, and play a similar pattern. You can shift back or extend back for the half-step changes, however it might help to extend first so you can learn how far back to move (it's harder to go too far if your hand is stretching!). 

Free Lee Cello Etude Studies
Across Strings & Extending

Cello Shifting Exercise for Lee Etude No. 2

Free Lee Cello Etude Studies
More Cello Extensions

Cello Shifting Exercise for Lee Etude No. 2
The cello exercise below still simplifies Lee's etude but helps you get closer to what he wrote. By the end of practicing the "Putting it Back Together" exercise below, you should be ready to tackle measures 25-32 in the Lee Etude. 

Free Lee Cello Etude Studies
Fluency

Cello Shifting Exercise for Lee Etude No. 2

Step Six: Final Shifts and String Crossing Practice

These exercises help you work on the cello positions and string crossing patterns at the end of the etude. Using open strings to learn string crossing can take away the distraction of the left hand and let you focus on balancing your bow across the strings. Feel for a relaxed right hand and arm as you cross strings and work toward getting the smoothest sound possible when you play. 

Free Lee Cello Etude Studies
Shifting & String Crossing

Cello Shifting Exercise for Lee Etude No. 2

Free Lee Cello Etude Studies
Smoother Bowing

Cello Shifting Exercise for Lee Etude No. 2

Step Seven: Play the entire etude.

As you play, focus on shifting correctly, playing even notes inside each slur, and keeping your bow hand relaxed for the smoothest sound possible. 

Tip: If you still find yourself running out of bow, try moving the bow on the string down toward the bridge, about 1/2-1 inch. The string has more tension closer to the bridge and your bow will naturally go a little slower as it plays closer to the bridge.

Free Lee Cello Etude Studies
Etude Op. 40, No. 2

Lee Etude No. 2, Op. 31, with exercises by Cassia Harvey
Lee Etude No. 2, Op. 31, with exercises by Cassia Harvey

Step Eight: Take the technique you've learned and use it to help you play pieces and repertoire!

Exercises and etudes can help you master the entire cello. I love how efficient exercises and etudes are; they have a huge impact on the rest of my practice. If you have any questions, send me an email at info@charveypublications.com.

Have fun playing! 
-Cassia Harvey
Check out other Early-Intermediate Cello Books that can help you improve!

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Recommended Position Methods for this Etude

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    Authors

    Cassia Harvey can't ever find or play enough exercises. She searches for rare and out-of-print studies and etudes in her free time. If you know of any, please let her know. Seriously; it's an obsession.

    Myanna Harvey's teacher assigned her piles of exercises when she was growing up but whenever her mother stopped listening, Myanna would quickly break away from the Sevcik to play a bit of Brahms or Beethoven she had heard on the radio. Now she practices with exercises and assigns them to students but her greatest passion is playing chamber music. 

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